Web-DL
Format: MPEG Audio (MP3)
Sample rate: 44,100
Bit rate: CBR (320kbps)
Frequency cut-off @ 20kHz (Verified by spectrogram analysis)
ORIGINAL LINER NOTES:
The S.A.B.A.W. Anthology is the result of existing material I had collected from experimental musicians and sound artists who had been working in the Philippine underground (read: under-appreciated and under-funded) scene for the last 20 years. The project conceived with the intention of not just publishing but also promoting innovations and experiments in music was born nine months ago when I was still hosting experimental music concerts at mag:net Cafe Katipunan, QC.
Just seven months ago, I began posting invitations in almost every mailing list I knew. The overwhelming response turned what should have been a one-disc album into a two-disc anthology. The artists here represent but a cross-section of a much larger body of musicians and artists. I wished that many more had contributed, but for some reason or another not all were able to participate.
This album is a first step, an attempt to fill a gap made real by the lack of critical appreciation and inaccessibility of sound art and experimental music for the past few decades.
This anthology is not a mere ”labor of love,” but an act of necessity.
Web-DL
Format: MPEG Audio (MP3)
Sample rate: 44,100
Bit rate: CBR (320kbps)
Frequency cut-off @ 20kHz (Verified by spectrogram analysis)
ORIGINAL LINER NOTES:
The S.A.B.A.W. Anthology is the result of existing material I had collected from experimental musicians and sound artists who had been working in the Philippine underground (read: under-appreciated and under-funded) scene for the last 20 years. The project conceived with the intention of not just publishing but also promoting innovations and experiments in music was born nine months ago when I was still hosting experimental music concerts at mag:net Cafe Katipunan, QC.
Just seven months ago, I began posting invitations in almost every mailing list I knew. The overwhelming response turned what should have been a one-disc album into a two-disc anthology. The artists here represent but a cross-section of a much larger body of musicians and artists. I wished that many more had contributed, but for some reason or another not all were able to participate.
This album is a first step, an attempt to fill a gap made real by the lack of critical appreciation and inaccessibility of sound art and experimental music for the past few decades.
This anthology is not a mere ”labor of love,” but an act of necessity.
Tengal
Manila, July 2006